When Nevermind came out, I was one of those people who jumped on the Nirvana bandwagon. But I didn't ride it very long. I hated the hype surrounding them, I hated all the little kids in their flannel shirts, I hated that everyone seemed to be in love with two songs and basically ignored the awesome Drain You. And I hated - really, deeply hated - the idolization of Cobain.
It wasn't until MTV Unplugged that I fully appreciated Cobain. While a lot of the songs played that night weren't his, I was still taken aback by the pure honesty in his voice. You could hear everything; pain, wistfulness, sorrow. And I loved that the band did their lesser known songs, and that the covers they did were of bands mostly unknown to the kids who first sunk their teeth into Nevermind. The best word I could use to describe the whole performance is intense. You listen to it, and look at it and you see and hear perhaps what Nirvana might have been if Nevermind didn't blow up like that. They weren't meant to be a hit machine. They weren't meant to be pop idols. This was a band meant to say something, to mean something. It's in the way he sang those Meat Puppets songs, especially Plateau, but you can also hear it in Something in the Way and on On a Plain, and I can't fully describe it because it was a personal experience for me, but I listen to this album and I hear Cobain the superstar, Cobain the idol, stripped away and you're left with Cobain the person, and the band that Nirvana might have been if they didn't become "the voice of a generation" with Nevermind.
I became a bigger Nirvana fan after this, but it wasn't until recently, when I pulled this CD and Incesticide and In Utero and Bleach out again, that I actually fell in love with them. I think I needed the distance of years and the absence of flannel shirts to fully immerse myself in the band.
Favorite song: Oh Me
I Dream of Kurt Cobain
Acura Rsx Club
2 years ago